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Sir Claude Phillips Titian Sir Claude Phillips Titian Новинка

Sir Claude Phillips Titian

265 руб.
Not only does Sir Claude Phillips offer the reader a studied and insightful look into the work of one of the world's most cherished painters, but he also invites us to discover the bustling world on the Venetian art circle in which Titian lived and worked. From his early years in the workshop of Giovanni Bellini, to his meeting with Michelangelo and his rivalry with Pordenone, the story of Titian's artistic development also tells the story of the most influential Italian Renaissance art.
Nathalia Brodskaya Claude Monet. Volume 2 Nathalia Brodskaya Claude Monet. Volume 2 Новинка

Nathalia Brodskaya Claude Monet. Volume 2

265 руб.
With Impression, Sunrise, exhibited in 1874, Claude Monet (1840–1926) took part in the creation of the Impressionist movement that introduced the 19 th century to modern art. All his life, he captured natural movements around him and translated them into visual sensations. A complex man and an exceptional artist, Monet is internationally famous for his poetic paintings of waterlilies and beautiful landscapes. He leaves behind the most well-known masterpieces that still fascinate art lovers all over the world. In this two-volume illustrated work, Natalia Brodskaya and Nina Kalitina invite us on a journey across time to discover the history of Impressionism and Monet; a movement and an artist forever bound together. Specialists of 19 th and 20 th century art, the authors shed light on the birth of modernity in art, a true revolution responsible for the thriving art scene of the 20 th century.
London Is the Best City in America London Is the Best City in America Новинка

London Is the Best City in America

1831 руб.
London Is the Best City in America
Nathalia Brodskaya Claude Monet. Volume 1 Nathalia Brodskaya Claude Monet. Volume 1 Новинка

Nathalia Brodskaya Claude Monet. Volume 1

265 руб.
With Impression, Sunrise, exhibited in 1874, Claude Monet (1840–1926) took part in the creation of the Impressionist movement that introduced the 19 th century to modern art. All his life, he captured natural movements around him and translated them into visual sensations. A complex man and an exceptional artist, Monet is internationally famous for his poetic paintings of waterlilies and beautiful landscapes. He leaves behind the most well-known masterpieces that still fascinate art lovers all over the world. In this two-volume illustrated work, Natalia Brodskaya and Nina Kalitina invite us on a journey across time to discover the history of Impressionism and Monet; a movement and an artist forever bound together. Specialists of 19 th and 20 th century art, the authors shed light on the birth of modernity in art, a true revolution responsible for the thriving art scene of the 20 th century.
Queen of Babble in the Big City Queen of Babble in the Big City Новинка

Queen of Babble in the Big City

833 руб.
Queen of Babble in the Big City
Psmith In The City Psmith In The City Новинка

Psmith In The City

849 руб.
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Чехол для карточек Cat in the City (Облакокошечка) Чехол для карточек Cat in the City (Облакокошечка) Новинка

Чехол для карточек Cat in the City (Облакокошечка)

90 руб.
Чехол выполнен из пластика с прозрачным "окошком" и оформлен красочным изображением. Чехол защитит ваш проездной билет от износа и сминания. • Материал: пластик. • Размер: 10х6,5х0,1см.
JAM JAM - In The City JAM JAM - In The City Новинка

JAM JAM - In The City

1960 руб.
Холст 30x40 Printio Rain in the city Холст 30x40 Printio Rain in the city Новинка

Холст 30x40 Printio Rain in the city

1990 руб.
Холст 30x40 — рамка: Без рамки.
Sergei Daniel Claude Lorrain Sergei Daniel Claude Lorrain Новинка

Sergei Daniel Claude Lorrain

95 руб.
Claude Gellée, called Claude Lorrain was neither a great man nor a lofty spirit like Poussin. His genius cannot, however, be denied and he was, like Poussin, a profoundly original inventor within the limitations of a classical ideal. He too spent most of his life in Rome though the art he created was not specifically Italian, but French. For more than two centuries afterwards everyone in France who felt called upon to depict the beauties of nature would think of Lorrain and study his works, whether it be Joseph Vernet in the eighteenth century or Corot in the nineteenth. Outside France it was the same; Lorrain was nowhere more admired than in England. There is an element of mystery in the vocation of this humble and almost illiterate peasant whose knowledge of French and Italian was equally poor, and who used to inscribe on his drawings notes in a strange broken Franco-Italian. This mystery is in some way symbolic of that with which he imbued his pictures, le mystère dans la lumière. This admirable landscapist drew from within himself the greatest number of extraordinary pictures, in which all is beauty, poetry and truth. He sometimes made from nature drawings so beautiful that several have been attributed to Poussin, but in his paintings his imagination dominates, growing in magnitude as he realised his genius. He understood by listening to Poussin and watching him paint that a sort of intellectual background would be an invaluable addition to his own imagination, visions, dreams and reveries.
Чехол для карточек Cat in the City (Дружная семья) Чехол для карточек Cat in the City (Дружная семья) Новинка

Чехол для карточек Cat in the City (Дружная семья)

90 руб.
Чехол выполнен из пластика с прозрачным "окошком" и оформлен красочным изображением. Чехол защитит ваш проездной билет от износа и сминания. • Материал: пластик. • Размер: 10х6,5х0,1см.
Sergei Daniel Claude Lorrain Sergei Daniel Claude Lorrain Новинка

Sergei Daniel Claude Lorrain

95 руб.
Claude Gellée, called Claude Lorrain was neither a great man nor a lofty spirit like Poussin. His genius cannot, however, be denied and he was, like Poussin, a profoundly original inventor within the limitations of a classical ideal. He too spent most of his life in Rome though the art he created was not specifically Italian, but French. For more than two centuries afterwards everyone in France who felt called upon to depict the beauties of nature would think of Lorrain and study his works, whether it be Joseph Vernet in the eighteenth century or Corot in the nineteenth. Outside France it was the same; Lorrain was nowhere more admired than in England. There is an element of mystery in the vocation of this humble and almost illiterate peasant whose knowledge of French and Italian was equally poor, and who used to inscribe on his drawings notes in a strange broken Franco-Italian. This mystery is in some way symbolic of that with which he imbued his pictures, le mystère dans la lumière. This admirable landscapist drew from within himself the greatest number of extraordinary pictures, in which all is beauty, poetry and truth. He sometimes made from nature drawings so beautiful that several have been attributed to Poussin, but in his paintings his imagination dominates, growing in magnitude as he realised his genius. He understood by listening to Poussin and watching him paint that a sort of intellectual background would be an invaluable addition to his own imagination, visions, dreams and reveries.

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Claude Gellée, called Claude Lorrain was neither a great man nor a lofty spirit like Poussin. His genius cannot, however, be denied and he was, like Poussin, a profoundly original inventor within the limitations of a classical ideal. He too spent most of his life in Rome though the art he created was not specifically Italian, but French. For more than two centuries afterwards everyone in France who felt called upon to depict the beauties of nature would think of Lorrain and study his works, whether it be Joseph Vernet in the eighteenth century or Corot in the nineteenth. Outside France it was the same; Lorrain was nowhere more admired than in England. There is an element of mystery in the vocation of this humble and almost illiterate peasant whose knowledge of French and Italian was equally poor, and who used to inscribe on his drawings notes in a strange broken Franco-Italian. This mystery is in some way symbolic of that with which he imbued his pictures, le mystère dans la lumière. This admirable landscapist drew from within himself the greatest number of extraordinary pictures, in which all is beauty, poetry and truth. He sometimes made from nature drawings so beautiful that several have been attributed to Poussin, but in his paintings his imagination dominates, growing in magnitude as he realised his genius. He understood by listening to Poussin and watching him paint that a sort of intellectual background would be an invaluable addition to his own imagination, visions, dreams and reveries.
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